• A Few Comments on Kriya Yoga and the Kleshas

    About Kriya Yoga

    In previous posts, I wrote about Kriya Yoga more lengthy and shared some quotes about it. Here I add some more comments on this important subject.

    Chapter 2 of Patanjali’s Yoga Sutras begins with Kriya Yoga:

    2.1 tapah svadhyaya ishvara-pranidhana kriya-yogah

    This is translated by B.K.S. Iyengar as:

    “Burning zeal in practice, self–study of scriptures, and surrender to God are the acts of yoga”.

    What are Tapas, Svadhyaya and Ishvara Pranidhana?

    Swami Hariharananda Aranya’s commentary is interesting:

    • Tapas – Renunciation of sensuous pleasures, i.e., attempt to desist from actions that might bring momentary pleasures and putting up with the resulting hardship.

    In: Yoga Philosophy of Patanjali

    B.K.S. Iyengar clarifies his understanding of Tapas:

    • Tapas is usually translated as austerities, but its meaning is better expressed as a burning desire. It is a burning desire to clean every cell of our body and every cell of our senses, so that the senses and the body may be permanently pure and healthy and leave no room for impurities to enter into our system.

    In: The Tree of Yoga, The Trunk

    Vyasa’s commentary on Svadhyaya and Ishvara-Pranidhana:

    • Svadhyaya – Repetition of a sacred Mantra, e.g., the sacred syllable OM, or study of scriptures relating to Moksha or freedom from bondage.
    • Ishvara-Pranidhana – Surrender of all actions to the great Master God, i.e., abandonment of all hankering after the fruits of actions.
    • Kriya Yoga is said to “reduce afflictions and to lead to samadhi” – this is another, more positive, definition of yoga.
    • Patanjali doesn’t give detailed instructions about how to practice Kriya Yoga. In fact, any practice that includes the three mentioned components is Kriya Yoga.

      Dukkha and the Kleshas

    • Dukkha which translates often to ‘suffering’, is a much wider term that includes any kind of unpleasant experience: frustration, disappointment, anger, dissatisfaction, insult, sadness, grief, physical pain, and so on.
    • Living in the world is bound with Dukkha, even only because of the existential suffering that stems from knowing that we will get old, become weak, probably be sick, and die.
    • Samsara is the infinite cycle of birth and death which is considered by Eastern traditions to be like a prison that man is doomed to be in.

    Why do we experience Dukkha? According to Patanjali, it is because of five basic afflictions – Kleshas.

     The Five Kleshas (Afflictions) are listed in Sutra II.3:

    II.3 avidya asmita raga dvesha abhinivesha klesha

    This is translated by B.K.S. Iyengar as:

    “The five afflictions which disturb the equilibrium of consciousness are: ignorance or lack of wisdom, ego, pride of the ego or the sense of ‘I’, attachment to pleasure, aversion to pain, fear of death and clinging to life”.

    1. Avidya is usually translated as ‘ignorance’; but it refers to spiritual ignorance or delusion; not knowing what we really are; what our real essence (which is according to yoga pure awareness, or Purusha). Delusion because we think we know, while in reality, we don’t.
    2. Asmita is the narrative of our life; the stories we tell ourselves about ourselves and the world; our views, opinions, thought patterns, habits, and so on. We identify with the story about ourselves and don’t see our true Self
    3. Raga is clinging to pleasant experiences
    4. Dvesha is an aversion to unpleasant experiences. Both of these are born from Asmita.
    5. Abhinivesha is the fear of the ego from its extinction; inertia – wanting to continue the status quo (which is impossible).

    Iyengar divides the Kleshas into three groups: the first two are intellectual; Raga and Dvesha are emotional and Abhinivesha is instinctive.

    Observing the Kleshas

    In our practice, we can observe our likes and dislikes (Raga and Dvesha). Sometimes we are attached to suffering more than to pleasures. Moments of humiliation or situations in which we were ridiculed or made to feel small come back to us much more frequently and with more emotional force, than when we were admired or looked up to.

    These gravitations and attachments limit our freedom. Yoga calls us to go beyond our likes and dislikes. In fact, according to Patanjali, the effect of asana practice is to be immune to dualities and to clinging and aversions.

    The Third Zen Patriarch said in his Verses on the Faith Mind:

    The Great Way is not difficult

    For those who have no preferences

    When love and hate are both absent

    Everything becomes clear and undisguised.

    Make the smallest distinction, however,

    And heaven and earth are set infinitely apart.

    Here are the first 9 Sutras of Sadhana Pada (from Chapter 2 of the Yoga Sutras):

    Sanskrit textBKS Iyengar Translation
    tapah svadhyaya ishvara-pranidhana kriya-yogahBurning zeal in practice, self –study of scriptures, and surrender to God are the acts of yoga
    samadhi bhavana arthah klesha tanu karanarthah cha The practice of yoga reduces afflictions and leads to samadhi
    avidya asmita raga dvesha abhinivesha kleshaThe five afflictions which disturb the equilibrium of consciousness are: ignorance or lack of wisdom, ego, pride of the ego or the sense of ‘I’, attachment to pleasure, aversion to pain, fear of death and clinging to life
    avidya kshetram uttaresham prasupta tanu vicchinna udaranamLack of true knowledge is the source of all pains and sorrows whether dormant, attenuated, interrupted or fully active
    antiya ashuchi duhkha anatmasu nitya shuchi sukha atman khyatih avidyaMistaking the transient for the permanent, the impure for the pure, pain for pleasure, and that which is not self for the self: all this is called lack of spiritual knowledge, avidya
    drig darshana shaktyoh ekatmata iva asmitaEgoism is the identification of the seer with the instrumental power of seeing
    sukha anushayi ragahPleasure leads to desire and emotional attachment
    dukha anushayi dveshaUnhappiness leads to hatred
    sva-rasa-vahi vidushah api tatha rudhah abhiniveshahSelf-preservation or attachment to life is the subtlest of all afflictions. It is found even in wise men
  • How Practice can Help us Ageing Grecfully

    The above quote is connected with the Yoga and Aging this year’s theme: “Unveiling Wisdom.”

    The program launched on February 2nd with an opening panel, where we shared insights and ideas around the above theme.

    “Unveiling” reminds us that wisdom already exists within us. However, it is often hidden beneath layers—ego, self-centeredness, and distractions—that prevent its full expression. Through dedicated practice, we can learn to peel back these layers, reconnect with our heart and spirit, and access our inner wisdom.

    Finding the Middle Way

    Yoga is about balance—finding the path between overdoing and underdoing, a path often referred to as The Middle Way.

    In The Tree of Yoga, B.K.S. Iyengar writes:

    “When you are practising a pose in yoga, can you find the delicate balance between taking the pose to its maximum extent and going beyond that point, where too much effort creates wrong tension in the body?”

    On the other hand, we may sometimes stay within our comfort zone out of laziness or inattention, doing less than we are capable of.

    It is only when we reach the front line of our capacity that the practice becomes truly alive, refreshing, and energizing.

    Iyengar further explains:

    “When you are overstretching somewhere to get the optimum movement, have you ever noticed that you are giving too little attention to other parts of the body? That disturbs the body and makes it shake.”

    This Middle Way is not fixed; it is unique to each person and constantly evolving. We find it through observation and by developing sensitivity in our practice.

    In the beginning, we may not yet know our capabilities or be sufficiently attuned to our bodies, leading to overstretching and potential injury. However, if we are cautious and quick to adjust, we can heal and learn from these initial mistakes.

    With experience and maturity, we become more sensitive to ourselves. Understanding both our strengths and limitations enables us to practice with awareness and mindfulness—without overdoing or underdoing.

    “Analysis in action is the only guide. You proceed by trial and error. As the trials increase, the errors become less. Then doubts become less, and when doubts lessen, the effort also becomes less.” (ibid)


    Adapting to Change as We Age

    Finding the Middle Way is essential at any age, but as we grow older, it becomes even more critical. With aging, the body changes more rapidly—it may weaken and lose flexibility and agility. These changes in our capacity require us to continually adapt our practice.

    From age 20 to 50 or 55, you may continue to improve, but at some point, you will begin to experience physical changes. If you do not adjust your practice in sync with the aging process, you risk injury.

    Some people resist the reality of aging and try to practice as they always have. This is overdoing—the mind refuses to acknowledge the changes in the body.

    Others experience the opposite: their minds age faster than their bodies. They become afraid and limit their practice even though their bodies are still capable of doing more. This fear holds them back and may even accelerate the aging process.

    Only when the mind and body age in sync, at the same pace, can we find harmony, peace, and joy in our practice and our life, at any age.

    When we learn to navigate this ever-changing Middle Way, wisdom shines within us. Or, as Iyengar writes:

    “When wise action comes, you no longer feel the effort as effort – you feel the effort as joy. In perfection, your experience and expression find balance and concord.” (ibid)


    My Workshop: “Using Props – An Elixir of Practice“

    We will explore poses at varying levels of challenge, using props to support our practice. For example, we will practice Utthita Trikoṇāsana four times:

    1. With a chair for support
    2. With our backs against a wall
    3. With a block supporting one hand
    4. Independently, without props

    We will experiment similarly with additional poses, some of them more challenging than others. Each participant will be encouraged to find the variation that offers the greatest sense of balance and harmony. Through this process, we will refine our self-awareness, develop sensitivity, and learn to trust our inner sense of when to push forward and when to ease back.

    For these explorations, please have at home the following props:

    • Yoga mat
    • 2 blocks
    • 2 belts
    • 4–5 blankets
    • Bolster
    • Yoga chair
    • Free wall space

    I invite you to join me on March 2nd!

  • Insightful Quotes (of and about B.K.S. Iyengar)

    From The Tree of Yoga

    From the chapter Effort, awareness, and joy

    When you are practising a pose in yoga, can you find the delicate balance between taking the pose to its maximum extent, and taking it beyond that point so that there is too much effort creating wrong tension in the body? p. 37

    When wise action comes, you no longer feel the effort as effort – you feel the effort as joy. In perfection, your experience and expression find balance and concord. p.40

    From Light on Life

    And when we are free from physical disabilities, emotional disturbances, and mental distractions, we open the gates to our souls (atma). p. 22-23

    Physical health is not a commodity to be bargained. Nor can it be swallowed in the form of drugs or pills. It has to be earned through sweat… You have to create within yourself the experience of beauty, liberation, and infinity. This is health. p. 24

    If extension is from the intelligence of the brain, expansion is from the intelligence of the heart. While doing an asan, both the intellectual intelligence and the emotional intelligence have to meet and work together. Extension is attention, and expansion is awareness., I often say. It is the bringing of attention and awareness to the tips of your body and activating the skin. p 33

    By learning to appreciate breath, we learn to appreciate life itself. The gift of breath is the gift of life. When we receive a gift, we feel gratitude. Through pranayama we learn gratitude for life and gratitude toward the unknown divine source of life. p. 72

    Hence pranayama is more than a physiological breathing exercise. Because breath is life, the art of judicious, thoughtful, ungreedy breathing is a prayer we offer to life itself. p. 72-3

    From Light on the Yoga Sutras of Patanjali

    The practice of yoga integrates a person through the journey of intelligence and consciousness from the external to the internal. It unifies him from the intelligence of the skin to the intelligence of the self, so that his self merges with the cosmic Self. [p. 87]

    The path of knowledge (jnana-marga) is the study of the self (svadhyaya) from the skin to the core and back again.  [p. 163]

     From Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom

    While working in asana, if the action is “done” solely from the front brain, it blocks the reflective action of the back brain. The form of each asana needs to be reflected to the wisdom body (vijnanamaya kosa) for readjustment and realignment. Whenever asana is done mechanically from the front brain, the action is felt only on the peripheral body, and there is no inner sensation, there is no luminous inner light. If the asana is done with continual reference to the back of the brain, there is a reaction to each action, and there is sensitivity. Then life is not only dynamic, but it is also electrified with life force. [p. 39]

    From Sparks of Divinity (compiled by Noelle Perez-Christianes)

    10.83 You have to work through the gross body to the subtle body (the spine), and then go through the spine to the mind. [p.93]

    11.9 Detail and precision of the body lead to mastering the art of relaxation. [p. 96]

    11.15 First you start with physical action; then you have to forget about action on that plane only. You have to discipline the mind through the action. [p.97]

    14.7 Yoga is self-realization through understanding of the body. [p. 109]

    10.61 The whole body, far from being ignored, is taken up in this spiritual alertness, till the whole man becomes pure flame. [p. 99]

    An alert, erect spine creates a spiritual intensity of concentration that burns out distracting thoughts and the brooding over past and future, and leaves one in the virginal, fresh present.

    14.48 Yoga is harmony of the body, of the senses, of the spirit, and of the intellect. This is why there is no difference between physical yoga and spiritual yoga. [p.118]

    14.50 Spiritual knowledge begins when the mind extends a little further than where it is at present. [p.118]

    18.7 Yoga becomes spiritual when the mind sees what is taking place. If the mind is not seeing, it is physical yoga. [p.158]

    13.23 When the concrete is silent, then only can you go to the abstract. But many people want to go to the abstract without knowing the concrete. [p.105]

    From: Light on Pranayama

    “7. The practice of pranayama should not be mechanical. The brain and the mind should be kept alert, to correct and adjust the body position and the flow of breath from moment to moment. One cannot practice pranayama by force of will; hence, there should be no regimentation. Complete receptivity of the mind and intellect is essential.

    8. In pranayama relationship between chitta (mind, intellect, and ego) and breath is like that between a mother and her child. Chitta is the mother and Prana is the child. As the mother cherishes her child, care and chitta should cherish prana.”

    In the chapter “The Art of Preparing the Mind for Pranayama”

    “1. Inhalation (puraka) is the intake of cosmic energy by the individual for his growth and progress. It is the path of action (pravrtti marga). It is the Infinite uniting with the finite. It draws in the breath of life as carefully and gently as the fragrance of a flower might be indrawn and distributes it evenly throughout the body.”

    In the chapter “The Art of Inhalation (Puraka) and Exhalation (Rechaka)”

    14. An erect spine can be compared to a cobra which has lifted its hood. The brain is the hood and the organs of perception are the fangs, while bad thoughts and desires are the poison glands. Practice of pranayama quietens the upsurge of the senses and desires. Thus the mind becomes sacrosanct or free of thoughts. The Sadhaka’s words, thoughts and deeds, become clean and pure. He maintains firmness in his body (achalata) and steadiness (sthirata) in his intellect.

    In the chapter “The Effects of Pranayama”

    From: Sparks of Divinity: The Teachings of B. K. S. Iyengar

    1.19. When we are aware of the fact that without breathing there is no life, we feel very grateful to God, who gives life through breathing. We surrender our life to God during exhalation, and we receive our life from God during inhalation. As long as we do pranayama, we surrender ourselves to this meditation. Where is the difference between physical and spiritual yoga? [p. 51]

    1.39. Never consider pranayama as an exercise, but as a prayer. Breathing is life. [p. 54]

    From Astadala Yoga Mala (AYM)

    About Pranayama

    “The techniques of asana and Pranayama are the vehicles of meditation and prayer. Inhalation (puraka) is acceptance of the Lord, its retention (kumbhaka) is savoring the Lord in the full deep stillness of the self. Exhalation (recaka) is not simply the exhalation of breath, but it is the emptying of ‘I’ or the ego. Exhalation makes one impersonal and hence it is not only a fit instrument for the sadhaka, but the highest form of surrender to the Lord.” (Vol II, p. 122)

    About Patajali’s definition of Asana

    “Now about asana. The sthirata or stability in asana is not possible without non-violence and abhyasa. Sukhata or steadiness of intelligence in asana is not for the sake of pleasure but to develop desire-lessness through vairagya. Prayatna Saithilya is effortless that comes only with aparigraha. Attachment to the body, love towards the body and undue protection, does not transform effortful into effortlessness. Effortlessness leads to ananta samapatti. Ananta samapatti means reaching the infinite and this is nothing but Isvara pranidhana. When one attains the state of ananta samapatti there comes the freedom from the shackles of dualities or dvandva (Y.S. II.46-48)” (Vol VI, p.68)


    “I think many have taken the meaning of Sukhata to the Sukha that leads toward attachments. Many of you are attached to the body and therefore you don’t like the body to suffer from pain, hence you dislike the asana and jump to something else. If asana is pleasurable (Sukha) you enjoy it, but Sukha id not the same as steadiness.

    Patanjali uses three terms Sukha, Duhkha and Ananda… You should know that there is a vast difference between the word Sukha and Ananda. Sukha means comfort and pleasing, while Ananda means delight, joy and bliss. Normally we mix these words and treat Sukha and Ananda as happiness. Sukha is felt at the level of the senses while Ananda is a spiritual quality. While performing an asana Sukha conveys the feeling of pleasing sensation, as Raga or attachment. Ananda is unbiased happiness or delight in the self. In asana Sthira and Sukha both stand for Ananda on the spiritual level.

    No doubt many of us take to yoga as you have attachment to the body. You dislike pain in the Sadhana. Many of you are satisfied with the practice as long as you feel comfortable. This is considered a fulfilment of desires. You continue to practice as long as this comfort remains, but the moment the comfort fades out you give up.” (Vol VIII, p. 153-154)

    About the Spine

    “An alert, erect spine creates a spiritual; intensity of concentration that burns out distracting thoughts and the brooding over past and future, and leaves one in a virginal, pristine present.”

    About Dhyana

    …”the savour of the fruit is only granted to those who “taste and see the Lord is sweet”. So, one can savour dhyana, but one can’t explain it.”

    About Hatha Yoga

    “Hatha yoga is a forceful discipline for transforming the inert (tamasic) body to the level of the vibrant (rajasic) mind. When body and mind are equally vibrant, both are trained together to reach the serenity of the Self (atma)”

    “The unity of prana and prajna with atma is the aim of hatha yoga”

  • On Engaged Yoga, Compassion, and Bodhisattva

    In Israel, we are currently struggling against a government that is attempting to undermine our democracy. One of the ways we resist this is through occasional civilian strikes. I decided that the yoga center I direct would participate in these strikes and shared this decision with my students and fellow teachers.

    One response I received was from a teacher who argued that yogis should avoid political activities and not expend their energy on matters beyond their control. Instead, he suggested they focus on internal work to realize the unity of all things. According to this perspective, yogis should neither adopt social or political positions nor take sides, remaining instead in a state of universal peace. This teacher referenced Talks with Sri Ramana Maharshi, in which the sage advised his disciples during World War II not to concern themselves with world events outside their control. Instead, he encouraged them to focus on the quest for the Self, emphasizing that the world has a “sovereign,” and it is not our role to change or fix His world. Our task, he argued, is to change our minds to discover our true identity.

    The Age-Old Question

    This perspective raises an age-old question in spiritual traditions: To what extent should yogis involve themselves in worldly matters? It is a question worth exploring. On the one hand, many spiritual leaders, such as Mahatma Gandhi, the Dalai Lama, and the Buddhist monk Thich Nhat Hanh, have actively engaged in social and political issues, believing that yogis must work to create a more just world. On the other hand, proponents of non-engagement argue that actions stemming from ignorance (Avidya) cannot lead to positive outcomes and should therefore be avoided altogether.

    Both approaches have merit. Acting from the narrow perspective of the ego, while still entangled in emotions like anger, aggression, and revenge, may only perpetuate the cycle of violence. Conversely, how can a yogi remain passive and indifferent in the face of suffering, injustice, and the violation of basic human rights?

    Compassion lies at the heart of all spiritual teachings. The realization that the apparent separation between beings is an illusion and the deep sense of interconnectedness with all creation compel yogis to respond to suffering. This is the essence of compassion, and without it, spirituality loses its meaning.

    The Bodhisattva’s Way

    In Mahayana Buddhism, the noble ideal of the Bodhisattva embodies this commitment. A Bodhisattva, having generated bodhicitta—a compassionate wish to attain enlightenment for the benefit of all beings—chooses to remain in the world of Samsara to help others awaken to their true nature. While the Bodhisattva acts in the world, their actions are guided by wisdom and clarity, enabling them to alleviate suffering effectively.

    My View

    In my view, inspired by teachers like Thich Nhat Hanh, yogis should strive to balance these two approaches. Recognizing that we are still subject to Samskara (mental impressions) and under the influence of Avidya, we must continue our formal practice to develop clarity and wisdom. However, engagement with the world should also be part of our practice. Formal practice is a laboratory for examining our own minds, serving as a foundation for becoming more caring, generous, and compassionate.

    Engagement in the world is also a measure of spiritual progress. True progress manifests as increased joy and peace for oneself and those around us. Isolated practice should bear fruit in the form of greater equanimity in the face of life’s challenges and deeper empathy and care for others.

    Therefore, formal isolated practice must be combined with engaged practice. Finding the right balance between these two paths is an individual challenge, requiring ongoing personal study and exploration. Mistakes are inevitable, but they provide valuable learning opportunities. Trusted teachers can guide us along this path.

    It is possible that Ramana Maharshi’s advice during World War II was specific to the disciple’s personal circumstances rather than a general prescription for all yogis. Ultimately, I believe that walking both paths—inner and outer practice—is essential. Striking the right balance is a deeply personal journey, and we must approach it with care and humility, refraining from judging others’ choices and actions.

  • How I Healed My Knees Using Dr. Sarno’s Method

    How I Healed My Knees Using Dr. Sarno’s Method

    Introduction

    Dr. John Sarno identified a condition he called Tension Myositis Syndrome (TMS), which he believed was the cause of various forms of chronic pain. According to Dr. Sarno, these pains are an unconscious “distraction” created by the brain to help repress deep-seated emotional issues. To alleviate the pain, he advocated first understanding and accepting that the source is emotional rather than physical, then working mentally to address both the syndrome and the symptoms.

    Dr. John Sarno

    Here, I’ll briefly outline Dr. Sarno’s approach in light of my personal experience.

    How I Discovered Sarno’s Insights

    For several years, I suffered from persistent knee pain that limited my ability to practice yoga and enjoy long hikes. This pain primarily affected poses like Padmāsana, Janu Śīrṣāsana, and Vīrāsana, where I worried about further aggravating my knee condition. Although I could do standing poses and short walks (up to 30 minutes) without discomfort, longer hikes—especially on downhill paths—would trigger pain. Trekking, which I love, became increasingly difficult. I had to reduce my time on the trails and relied on pain relievers when I did go.

    An X-ray revealed worn cartilage in both knees, with the left side worse than the right. However, my pain often shifted between knees, with the right knee usually causing more trouble—an unusual pattern, but as I later learned, typical of TMS.

    I treated my knees with yoga therapy, which did help but didn’t solve the problem completely. It gave a temporary relief, and kept the mobility and strength of my knees and legs, but the pain in the knees persisted.

    Last May, a student at my retreat in Morocco introduced me to Dr. Sarno’s work. She mentioned someone who had recovered from severe back and knee pain through Sarno’s method and was now able to run and compete in triathlons pain-free. I met this person, who introduced me to Dr. Sarno’s insights and guided me in applying his method.

    Who Was John Sarno?

    John Sarno (1923–2017) was a Professor of Rehabilitation Medicine at New York University School of Medicine and an attending physician at the Howard A. Rusk Institute of Rehabilitation Medicine. Through years of treating patients with various orthopedic issues, Sarno recognized that conventional treatments often failed to provide lasting relief. He observed that even back surgeries frequently offered only temporary respite, if any at all.

    Understanding TMS

    Dr. Sarno defined TMS as a psychosomatic condition that causes chronic pain in the back, neck, and limbs, often unresponsive to conventional medical treatments. He expanded this concept to include other ailments, such as gastrointestinal issues, as TMS-related. According to Sarno, the root cause is often psychological and emotional. Pain or other symptoms act as an unconscious “distraction” to suppress deep emotional issues. When patients start to explore what might be causing this unconscious distress, they disrupt the mind’s repression strategy; as a result, the pain can subside once its purpose is understood.

    Sarno wrote, “TMS is a new diagnosis and therefore must be treated appropriately. Just as antibiotics target bacteria, treating pain caused by emotional factors requires a psychological approach” ([1] p.16). Steve Ozanich, another proponent of TMS theory, elaborates, “Pain has a protective purpose. People don’t want their pain—they need it to conceal inner turmoil” ([2] p.19). He explains that feelings like fear, anxiety, and anger manifest as physical pain, shifting the focus away from unresolved emotions.

    In the chapter The Psychology of TMS, Sarno noted that traditional medical diagnoses focus on the body but overlook the mind’s influence on physical ailments ([1] p.49).

    My Learning Process

    To immerse myself in Dr. Sarno’s approach, I read Healing Back Pain: The Mind-Body Connection [1] and The Mindbody Prescription [3]. I also watched All the Rage [4], a documentary on Sarno’s work, and read Back Pain Permanent Healing by Steve Ozanich [2]. Additionally, I used the Curable app [5], which provides guided meditations, instructions, and personal healing stories based on Sarno’s principles. Podcasts such as Tell Me About Your Pain and Like Mind, Like Body [6], both produced in partnership with the Curable project, further deepened my understanding.

    Rethinking Pain

    Six Basic Truths About Pain

    The Curable app highlights six key insights into pain, informed by contemporary science:

    1. Knowledge is power – Education about pain is a recognized medical treatment of pain (called: neuroscience education).
    1. Pain as protection – Pain is a danger signal meant to keep us safe, though it can also occur without any injury.
    2. Pain is more than physical – Physical injury is just one of many factors that contribute to pain. In chronic cases, it may be one of the least significant factors. People in life-threatening situations often feel no pain, enabling them to act quickly despite injury.
    3. All pain originates in the brain – Every pain sensation is the brain’s decision, based on signals it receives. An injury signals the brain, which decides the pain level necessary to protect you.
    4. Pain is subjective – Pain reflects the brain’s opinion of how much discomfort you need to experience at that moment to stay safe.
    5. To heal, treat the brain – For chronic pain, the brain’s contribution is typically much greater than any physical factor. The modern approach to pain takes into account all contextual factors, not only physical ones. This is called the biopsychosocial model.

    Pain Rarely Caused by Structural Abnormalities

    Sarno critiqued the traditional view of pain, which often attributes it to structural issues in the spine or deficiencies in muscles. He argued that TMS is a physiological but benign condition of the soft tissue, not the spine, brought on by emotional factors.

    For instance, he states, “…structural abnormalities of the spine rarely cause back pain” ([1] p.123). Studies have shown that spinal issues visible on X-rays, like degenerative changes, don’t necessarily correlate with pain. Sarno and Ozanich cite research from the 1970s comparing X-rays of people with and without back pain, which showed no statistical difference in degenerative issues between the groups ([1] p.136).

    In Sarno’s view, disc degeneration is a natural part of aging, like graying hair or wrinkles, and is not typically a source of pain ([1] p.127).

    These results were verified by many other studies. For example, a 2021 study found that describing MRI results to patients produces a negative perception and poor functional outcomes. This again shows the effect of emotions and psyche on pain perception [7].

    Who Is Most Affected by TMS?

    Sarno observed that individuals prone to TMS are often perfectionists, highly responsible, and self-critical. These people tend to generate stress, anger, and anxiety, often subconsciously, while maintaining a controlled and self-disciplined exterior.

    He cited examples of patients who took on significant responsibility in both their personal and professional lives, describing them as highly motivated, disciplined, and self-demanding. Sarno found that those affected by TMS often repress their emotions, preferring to present a “put-together” image to the world, which comes at a cost to their physical health ([1] p.56).

    The Path to Healing My Knee Pain

    Baddha Padmasana

    Several factors contributed to my recovery from knee pain:

    1. Understanding the true cause – Reading Sarno’s work and listening to related podcasts helped me recognize the emotional origin of my pain. This knowledge, once internalized, was transformative.
    2. Reevaluating physical activity – I learned that engaging in poses that challenge my knees, such as those I previously avoided, can be healing when done gradually and mindfully.
    3. Emotional awareness – Recognizing my tendency to suppress emotions, especially frustration and anger, helped me see how these feelings manifested physically. I started allowing myself to release pent-up emotions through movement and vocal expression, especially in private, natural settings.
    4. Managing professional expectations – As a yoga teacher, I am expected to be calm and supportive of every student. However, acknowledging that not all students invoke the same reaction in me and that some situations can be frustrating, I allowed myself to feel and release these emotions rather than internalize them.

    One practice Sarno suggests is talking directly to your brain, reminding it that one can handle the emotions and the pain is not necessary. This approach, though initially surprising, has proven effective for many, including myself.

    Conclusion

    Dr. Sarno believed that to heal from TMS, one must accept that the pain has emotional roots. Although I didn’t entirely buy into his theory at first, I remained open to the possibility that it could help—and it did. I now practice all the poses that once caused me discomfort or that I had avoided altogether. I still sometimes experience mild pain in my knees, but I don’t worry about it; it usually disappears quickly. I haven’t had a chance to go on a challenging trek yet, but I didn’t suffer pain on the hikes I did recently.  I now can practice all the poses that I used to avoid or had limitations with. This is very significant for a yoga teacher who practices daily and demonstrates while teaching.

    Of course, it is important to rule out any severe conditions that may cause the pain. Hence, it’s important to get a diagnosis from a medical doctor with TMS experience. There are more and more doctors and therapists who know about TMS and can guide you with this. Seek professional advice in your region.

    My journey of self-awareness and healing has been life-changing, allowing me to resume an active lifestyle without pain.

    I am deeply grateful to Dr. Sarno for his work and to everyone who guided me along this journey. I hope my story inspires others suffering from TMS to explore these insights and find their own path to healing.

    References

    [1] Sarno, John E.. Healing Back Pain the Mind-Body Connection

    [2] Steve Ozanich, Back Pain Permanent Healing

    [3] Sarno, John E.. The Mindbody Prescription – Healing the Body, Healing the Pain.

    [4] All the Rage

    {5] the Curable app 

    [6] the podcasts: “Tell me about your pain” (See here) and “Like mind, like Body” (See here).

    [7] “The catastrophization effects of an MRI report on the patient and surgeon and the benefits of ‘clinical reporting’: results from an RCT and blinded trials”, (see here).

  • The Sarvāṅgāsana Cycle – Hints and Tips

    The Sarvāṅgāsana Cycle – Hints and Tips

    Inversions are an important part of yoga. In Iyengar Yoga they are practiced daily (unless otherwise prescribed. In a previous post, I wrote about the benefits of these asanas. I also discussed the alignment of Sirsasana. My book, Props for Yoga, Vol III – Inverted Asana discusses these poses and the many uses of props that can aid in their practice.

    In this post I’ll share some tips about the practice of Sarvāṅgāsana; some of them are refined points that I found through my daily practice of this cycle. The cycle I present here is composed of the following asanas:

    Salamba Sarvangasana I – Setu Bandha Sarvangasana – Halasana – Parsva Halasana – Salamba Sarvangasana II – Karna Pidasana – Niralmba Sarvangasana I – Niralmba Sarvangasana II

    This present post is intended for readers  who are familiar with the basics of Iyengar Yoga (and have read Light on Yoga!)

    Cautions

    Avoid practicing inversions if you suffer from:

    • High blood pressure
    • Eye or ear problems
    • Heart disease
    • Dizziness or nausea
    • Women should avoid inversions during menstruation days

    If you have a neck problem, you can still practice Sarvangasana using a chair (see Props for Yoga, Vol III – Inverted Asana)

    Why do we Use a Platform?

    In Iyengar Yoga, we use a platform for this pose. The platform protects the neck from over-stretching and over-loading. We can’t bend our neck to form 900 between our thoracic and cervical spine.

    Here is how much I can bend my head.

    Now imagine that I were to do Sarvāṅgāsana on a flat surface. The back of my neck and head would have to be on the floor, and inevitably, I’d have to round my upper back and collapse my chest. This isn’t very nice, since breathing is constricted. It will look very much like this:

    In addition, the pressure on the neck may, in the long run, injure the cervical spine.

    So, to protect the neck, we must let the head rest lower than the shoulders.  This we achieve by resting the shoulders and the upper arms, which form the base of the pose, on a raised platform (the other option is to dig a small hole for the head, which is indeed what I do when practicing on the beach, but isn’t very practical at the studio…).

    How to make a platform?

    The platform size should be about 50 cm x 50 cm (20’’ x 20’’). If your upper arms are short, you may be able to manage with a slightly smaller platform, but make sure that it’s large enough to support your shoulders and elbows. A larger platform guarantees you won’t find one elbow floating outside of the platform.
    The height of the platform should be about 5 cm (2’’).
    The best material to use is blankets. In the photos, I use a platform made of 6 stacked blankets, and I also use an additional one underneath, to pad the back of the head, and to allow it to slide away from the platform, so the neck can be extended.

    Arrange the blankets one on top of the other such that their round sides are aligned and, together, they create a smooth and even support for the shoulders and the neck.

    You can use other materials for a platform, but make sure it isn’t too hard or too soft.

    Preparations for Doing the Cycle

    Determining the position of the platform

    In the sequence I present here, Setu Bandha Sarvangasana is practiced by arching from Sarvangasana to place the feet against the wall. Hence, we need to place the platform at an appropriate distance from the wall. Determine this distance by sitting on the platform in Dandasana with your feet against the wall.

    Using a Block for Halasana

    I usually use a block to support my feet in Halasana. There are two reasons for that:

    • Resting the toes on the floor when the shoulders are raised on the platform may prove to be too strenuous for most people, resulting in a rounded back and a collapsed chest. Resting the toes on a block, which is about the height of the platform, enables doing the pose with more ease.
    • Since we don’t see much of our body in Halasana it is hard to sense if the legs are centered. A block placed in the center of the mat at the right distance will give feedback on the position of the feet thus enabling us to center the legs accordingly.

    Determine the block’s position in the same way you have determined the position of the platform.

    The block should be on the sticky mat, otherwise, it may slide and no longer give you correct feedback on the position of your feet. Therefore, people with long legs need to place the sticky mat slightly away from the wall, otherwise, the block will not be on the mat.

    Finally, adjust the belt to your shoulder width.

    Doing the Cycle

    Going to Salamba Sarvangasana

    • Lie with your back centered on the platform such that your two shoulders are equidistant from its sides and set about 2-3 cm (1”) inside the front edge. Measure that inset by placing 3 fingers between the shoulders and the platform’s edge.
    • Hold the edges of the mat and center yourself on it. Then roll over to Halasana.
    • Check that your toes are on the center of the block. Then catch the belt at the back, with your palms facing up and your hands close to each other.
    • Adjust yourself on the tops of your shoulders by pulling them back and rolling the outer shoulders down (toward the floor) and in (toward each other). Don’t go up to Sarvangasana before positioning yourself well on the tops of your shoulders.
    • Then place the belt on your elbows. Tip:  First place the belt on your forearms and then bend your elbows, so that the belt slides down to its position on the elbows. Press your arms against the belt and do not allow it to slide further to your upper arms.
    • Bend your elbows to 900, palms facing the back, and press your upper arms down, to lift your upper back. The load of the body should be on your shoulders and upper arms, not on your neck.
    • Then support your back with your hands (it’s recommended to remove the shirt from the back so as to lift also the skin. First support your back with your index fingers and thumbs and move the back ribs inward.
    • Then as you lift the skin of your back, slide your palms up, to support the back with your entire palms. This is Salamba Sarvangasana I.
    • Be sure to place your hands symmetrically on your back. When joining the tips of the small fingers, they should meet at the spine
    • Lift your body vertically up from your shoulder girdle. Move the thighs slightly back, to shift weight to the center of your upper arms. Avoid pushing your sternum forcefully to the chin, as this creates tension.
    • Stay in the pose for 3 to 5 minutes (or more…).
    • To go to Setu Bandha Sarvangasana, turn your hands, such that the bases of your palms are closer to your spine, and your fingers are pointing up.

    Setu Bandha Sarvangasana

    • Then arch back to the wall, first to Eka Pada Setu Bandha Sarvangasana.
    • From there move the second leg down and press both feet against the wall. You may repeat this arching a few times, changing the order of the legs. Each time try to intensify the arching by moving your hands down, toward the upper back.
    • Pushing the feet against the wall, open the chest and breathe deeply. Stay for 3 minutes.
    • Then come up back to Salamba Sarvangasana I and continue to Halasana. Stay in Halasana for 5 minutes, observing the following points:
    1. Be on the very tips of your toes.
    2. Roll your buttocks toward your heels and move your thigh bones to the pelvis (to keep the heads of the femur bones moving inside the sockets).
    3. Lift your thighs and open the backs of your knees.
    • Remove the belt and hold it behind, with your palms facing up. From there lift to Salamba Sarvangasana II. Stay there for a minute or two.

    The Halasana Cycle

    • Then go to Karna Pidasana. Because your shoulders are on the platform, your knees won’t reach the floor. If you prepare in advance blocks close to your head, you will be able to rest your knees on the blocks.
    • Keep holding the belt to stabilize your shoulders and walk to Parsva Halasana.
    • Observe that:
    1. Your shoulders don’t move (when walking the legs to the right, keep the left shoulder back).
    2. Your heels are aligned.
    3. Your head stays at the center and doesn’t tilt.
    4. Your feet are vertical to the floor and you lift the two sides of your trunk evenly.
    5. Your hips remain above your shoulders and your buttocks are moving toward your heels.
    6. Press your arms and shoulders down and lift your thighs.
    • Pull your shoulders still back, bend your knees to Karna Pidasana, and rest them on the blocks.
    • Without moving your shoulders forward, move your arms forward to hug the back of your knees. Insert your hands in between your knees, extend the skin of the occiput away from the back of the neck, and block your ears with your hands (Karna Pid means ‘ear pressure’).
    • Stay for 1-2 minutes, and then straighten your legs and arms.

    Niralamba Sarvangasana

    • From there lift your body to Niralamba Sarvangasana I.
    • Then lift your arms by the sides of your thighs to Niralamba Sarvangasana II.
    • Stay there for a minute or two and then come down.
    • Once down, slide off the platform to your head-side, until your arms and shoulders resting on the floor. Keep your chest on the platform. Rest for 2 minutes in this ‘mini’ Setu Bandha Sarvangasana.
    • When you are ready take two blocks, one against your feet and the other to support your head, and do a very gentle and relaxing Paschimottanasana.
    • After 3-5 minutes, lie down to Shavasana.

    Enjoy this deep, profound practice!